Festivals, TV and streaming: The Lake of Scars documentary journey continues

Following an acclaimed festival run and a theatrical release across the breadth of Australia, Wedge-Tail Pictures' feature documentary The Lake of Scars continues to find audiences both at home and internationally.

Directed by Bill Code and produced with members of the Dja Dja Wurrung community in Victoria, The Lake of Scars tells the story of an unlikely alliance between members of the Yung Balug clan and non-Indigenous locals working to protect ancient scarred trees, middens and cultural heritage at Lake Boort.

Since its world premiere at Antenna Documentary Film Festival, The Lake of Scars has screened at Gold Coast Film Festival, Castlemaine Documentary Festival, Environmental Film Festival Australia, and the Meghalaya International Film Festival in India, earning widespread praise for its sensitivity, beauty and emotional resonance. Critics have described it as “profoundly moving” and “a quietly powerful meditation on reconciliation in action.”

The film screened on NITV and ran on the SBS On Demand platform, with a further Australian release by Ronin Films, followed by a North American and international release through Random Media, landing it on several major U.S. streaming platforms.

In Australia, audiences and educators can purchase the DVD or educational licences here via Ronin Films. The film is also available to stream on DocPlay, Filmzie and on Kanopy via participating libraries and universities.

Internationally, The Lake of Scars has secured a release with Random Media where it can be directly purchased digitally and on DVD, and is now also available on global streaming platforms, including Amazon, Hoopla, The Roku Channel, Google Play and Xfinity.

Teachers in Australia can access the film on ClickView, along with a free ATOM Study Guide created with members of the Yung Balug clan.

The documentary has become a valuable tool for education and reconciliation. Schools, councils, state government departments, universities, the Australian National Maritime Museum, the National Film and Sound Archive and community groups have all hosted screenings to spark conversations about heritage protection, water use and caring for Country. Reconciliation Victoria screened the film in the run-up to the 'Voice' referendum.

Awareness generated by the film has played a role in generating tangible outcomes at Lake Boort, including additional environmental water releases and planning for visitor walkways. With its themes of care, reconciliation and the preservation of shared heritage, The Lake of Scars remains as timely as ever, a testament to the power of community and storytelling to heal Country and connect people.

SOLD! Impact Campaign takes housing debate to federal parliament

After the documentary SOLD! Who Broke the Australian Dream? aired on Binge and Foxtel back in July, the Wedge-Tail Pictures team have been busy rolling out its impact campaign in order to keep the national conversation about housing reform alive long after the credits roll. Our goal is to use the film as a catalyst for real-world change: connecting communities, policymakers and advocates around one of the biggest issues facing Australians today: housing affordability.

SOLD! has already had a string of successful private screenings across the country, and the response has been overwhelmingly positive. On the 29th of October, the campaign reached a major milestone with a special screening in Parliament House, hosted by Senator David Pocock and Greens housing spokesperson, Senator Barbara Pocock (no relation – Pococks just clearly like talking housing!). Special guest speakers for the panel included the documentary's presenter and co-writer Mark Humphries, director and creator Bill Code, Maiy Azize of campaign group Everybody's Home (and our principal impact partner) and financial journalist Alan Kohler, who joined parliamentarians and housing-sector leaders for a powerful discussion. The screening placed the housing crisis squarely in front of decision-makers, showing how policy choices have shaped the system we live in today, and how storytelling can help drive reform.

From here, SOLD! will continue its journey across Australia with private screenings hosted by a growing network of housing and community organisations, local councils, universities and advocacy groups. At each event, audiences will have the chance to hear from advocates, renters, economists and policy experts, as well as the film-makers, connecting the documentary's message to the challenges playing out in their own backyards.

November will see private screenings in Sydney (Casula and Newtown), Brisbane, Adelaide and Melbourne, all hosted in collaboration with groups including Tenants’ Union NSW, Shelter NSW, QShelter, QCOSS and SACOSS. Each event will reflect the needs of its community, giving audiences practical ways to stay engaged, from joining local housing campaigns to supporting calls for national reform.

Everybody's Home screenings are for members of the campaign – join up and see when the film is on here.

Like all of Wedge-Tail's films, SOLD! was made with one goal in mind: to drive change. With the help of groups like Everybody’s Home and countless community partners around the country, the film is doing just that. Through screenings and discussions, SOLD! is helping audiences take what they’ve seen on screen and turn it into real-world action.

From Parliament House to community halls across the country, SOLD! is bringing people together to rethink what the Australian Dream really means, and how we can rebuild it.

Wedge-Tail Pictures is hiring

THIS POSITION HAS BEEN FILLED

Wedge-Tail Pictures is a small Sydney-based production house specialising in documentary and factual TV as well as video production for NGOs and other ethically-minded organisations. We are seeking a values-led production assistant interested in developing their skills in doco and video production, working a three or four-day week.

Following on from the recent success of SOLD! Who broke the Australian Dream? we have a number of projects in development. As a micro organisation based at the Impact Storytelling Lab in Darlinghurst this is something of a hybrid role which will include all facets of the production process. Appropriate training will be given where needed, and no two days will be the same.

We are looking for someone who is:

-adaptable and flexible

-keen on a wide variety of tasks

-passionate about documentary/factual TV

-takes an interest in what makes the world tick

-creative/problem solver

-able to write well

The role will entail:

- research

- grant applications and funding outreach

- social media output and website maintenance

- occasional support on shoots and live events

- some basic record keeping/accounting

- occasional writing (pitch/development documents)

- possible basic video editing (skills dependent)

This not primarily a technical role but the ability to use video editing software, motion software or photo editing software will be highly regarded, as will the ability to use still/video cameras or multimedia equipment. Essentially, this is a flexible role where almost anything might pop up, from helping on shoot to researching stories some weeks, to tidying up some bad Google Drive filing or responding to emails other weeks.

Related degree preferred but not essential - one or two years experience in TV/multimedia and the right mindset is more important. Candidates with diverse backgrounds and experiences are encouraged to apply.